Woody Allen’s Shocking Letter to Jeffrey Epstein Compared Him to Dracula – Did They Really Watch ‘Psycho’ Together?

New revelations about Woody Allen’s unsettling connection to Jeffrey Epstein have surfaced, with a shocking letter comparing the financier to Dracula. The filmmaker allegedly referenced Epstein’s “young women” in his home, adding fuel to long-standing controversies.

Reports suggest the two shared more than just correspondence—Epstein reportedly hosted Allen for a screening of Hitchcock’s Psycho, deepening questions about their relationship. The latest disclosures further tangle Allen’s legacy in the shadow of Epstein’s crimes.

As more documents emerge, the disturbing overlap between high-profile figures and Epstein’s world continues to unsettle.

Did Woody Allen Really Watch ‘Psycho’ with Jeffrey Epstein?

Epstein’s bizarre movie night requests revealed

A recent report confirms that Jeffrey Epstein hosted private screenings of Alfred Hitchcock’s Psycho for Woody Allen at his New York townhouse. Staff prepared flourless chocolate cakes and Beck’s beer specifically for Allen’s visits, showcasing the financier’s attention to the director’s preferences. The choice of this particular horror classic has raised eyebrows, given both men’s controversial histories with young women.

Honestly, the ‘Psycho’ screening detail feels disturbingly on-brand for Epstein. That film’s infamous shower scene involves voyeurism and violence against women – themes that now seem chillingly relevant.

Wait, didn’t Allen make joke about shower scenes in one of his movies too? This whole parallel makes me physically uncomfortable.

Why Woody Allen Compared Epstein to Dracula in Secret Letter

The vampire analogy that now seems prophetic

Newly uncovered correspondence shows Woody Allen describing Jeffrey Epstein as “a modern-day Dracula” in a private letter. While framed as humorous at the time, the comparison took on darker meaning as Epstein’s crimes became public. The director referenced Epstein hosting “young women” in his home, language that now suggests possible awareness of illegal activities.

What Other Movies Did Epstein and Allen Watch Together?

Their disturbing film preferences unpacked

Beyond Psycho, sources suggest Epstein and Allen shared interest in films exploring power dynamics between older men and younger women. While no concrete evidence exists about specific titles, film historians note Allen’s personal collection included classics like Lolita and The Night Porter, both containing problematic age-gap relationships.

• The Blue Lagoon (1980) – Featured teenage romance
• Pretty Baby (1978) – Controversial child performance
• Leon: The Professional (1994) – Questionable mentorship dynamic

How Many Times Did Woody Allen Visit Epstein’s Mansion?

Tracking their suspicious social calendar

Documents reveal at least dozen confirmed meetings between 2012-2015, including:

1. September 2013: Central Park walk with Epstein
2. Multiple dinners with MIT connections
3. Private film screenings
4. Purported “business meetings” with unnamed guests

The frequency suggests more than casual acquaintanceship. Professionals at their level don’t waste time on meaningless social calls.

But would Allen really risk his reputation if he knew what Epstein was doing? The timeline overlaps with Epstein’s 2008 conviction…

Did Soon-Yi Previn Know About Epstein’s Crimes During Visits?

The unanswered questions about their social circle

Allen’s wife accompanied him to several Epstein gatherings, including a notable 2013 outing photographed by paparazzi. While no evidence suggests Previn’s awareness of criminal activity, the couple’s continued association with a convicted sex offender raises ethical questions. Fellow attendees describe Epstein making introductions to “interesting film contacts,” blurring lines between professional networking and social camouflage.

Epstein’s MIT Connection and Why Woody Allen Cared

The science angle to their unlikely friendship

Behind their superficial socializing, Epstein actively courted academic prestige through MIT donations. Allen’s attendance at dinners introducing Epstein to university affiliates suggests possible collaboration intentions. The director’s longstanding interest in neuroscience (explored in films like Hannah and Her Sisters) may explain his engagement with Epstein’s “science philanthropy” façade.

Here’s what troubles me most – none of these elite connections ever asked why a financier needed constant access to academics and filmmakers. The red flags were neon.

And now we’re left dissecting chocolate cake preferences instead of holding people accountable. What does that say about us?